Research Topic
Aouchem '67: Algerian Modernism and Third World Revolution
Connie Sjödin is a doctoral candidate in History of Art at the University of Oxford, where she previously studied French and North African Francophone literature. She is currently completing her dissertation, a microhistory of the Algerian art collective ‘Aouchem,’ which exhibited in various formations between 1967 and 1971.
Challenging the narratives of ‘derivative’ or ‘belated’ modernism, Connie situates the group's art and manifesto within the political and intellectual context of the era, in dialogue with key North African and Arab thinkers. Through this transnational approach, she aims to highlight alternative and disrupted cultural imaginaries from the decolonising Third World.
Connie teaches courses on Global Modernism(s) and Abstract Art at Oxford, and she was previously a Junior Teaching Fellow at the Ashmolean Museum.
Articles
‘Baya in Vogue: From Oriental Carpet to Transcultural Tissage,’ Art History, 48/1 (March 2025).
Prizes
2024 Rhonda A. Saad Prize for Best Paper in Modern and Contemporary Arab Art, AMCA
2024 Jeanne Jeffers Mrad Graduate Student Virtual Presentation Award, AIMS
2021 Amelia Jackson Studentship, Exeter College
Supervisor: Professor Alastair Wright